Say what it is about
Two or three lines about the piece — what it covers, who it is for, and the one thing the headline should promise. Or paste the finished draft and let it be titled from that.
An episode title names the subject first, and the guest and their one claim to attention second. Every set is written to 40–60 characters, scored, and previewed before you choose one.
Let’s name it!
Describe the piece, or paste it in full. Set a primary keyword under Details and every headline will carry it — and the score will start measuring where it sits.
The episode is recorded and needs a title that survives an app list — where about sixty characters show, next to forty other episodes, with no thumbnail to help.
An episode title names the subject first, and the guest and their one claim to attention second. It is what someone browsing a show they have never heard of uses to decide whether to press play.
Three steps, and the third is where the choosing happens.
Two or three lines about the piece — what it covers, who it is for, and the one thing the headline should promise. Or paste the finished draft and let it be titled from that.
Podcast episode is already selected on this page, so the 40–60 character range and its rules are set. Choose how many headlines to see, the angles you want, and add a primary keyword under Details if the piece is targeting one.
Every headline arrives with its character count, its score and its angle. Edit any of them in place and the numbers move with you, and the preview shows the selected one in a video or episode list.
Every headline is counted against these, and anything past the hard limit is rewritten before you see it.
Three ways a podcast goes wrong, all of them visible in the score.
A title only existing listeners understand, on a show trying to grow.
The show name repeated in every episode title, where the app already shows it.
An in-joke as the title, which is a gift to regulars and a wall to everyone else.
Yes. Every purpose, angle, tone and count is free, without an account, within the per-request word allowance shown next to the brief. Signing in raises the allowance and Pro removes the guest limits and the ads — no feature of the podcast title generator is held back on any plan.
Forty to sixty characters. Apple Podcasts and Spotify both truncate near sixty in the list views where most browsing happens, and a title that needs more than that is usually two titles.
Yes, when the guest is the draw or the name is searched. Put it after the subject rather than before it: people browsing a new show are looking for a topic they care about, and the name only helps once they already care about the name.
The Summarizer turns a transcript into an episode description, and the Social Media Post Generator writes the promo posts. This page is for the title.
Out of 100, across five bands you can open and read on every card: length against the 40–60 character range for this purpose (25 points), how much of the wording carries meaning (20), clarity (20), keyword placement when you set a primary keyword (20), and specificity (15). The score runs in your browser and updates as you edit, and it measures the shape of the line — not a prediction of clicks, which nobody can make without your audience.
Yes, exactly as you typed them. And it works the other way too: a headline containing a figure that could not have come from your brief is rejected before you ever see it, as are placeholders such as [Topic] or “Your Company”. Anything your brief does not state is treated as unavailable rather than invented.
Write the piece underneath it, check the grammar, or summarise a finished draft into the description that goes with it. One plan covers every tool.
Each page opens the generator with that purpose already selected, and explains what that surface rewards, where it cuts a line, and what a headline written for it has to carry. The full picker, with all thirteen, is on the main headline generator.